Release me

Release me

₹ 30,770.00 Sale Save

This brass sculpture of a dwarf figure, bound tightly with rope and embedded into a museum like pedestal of stone, reflects a powerful commentary on the themes of restriction, confinement, and the enduring effects of social and hierarchical bondage. The ropes encircling the dwarf’s body signify the limitations imposed by societal structures, which restrict movement, growth, and freedom. The museum-like pedestal further emphasizes the notion of entrapment, as though the figure is on display, serving as a relic or artifact symbolizing the weight of oppression. Presenting the figure in this way, it invite viewers to confront the persistence of these hierarchical constraints and question the "display" of suffering. The work speaks to the resilience of the marginalized, enduring in the face of immobilizing forces, while critiquing the historical and societal structures that keep them bound.

Size: 5 X 5 X 13 inches

Meet the Artist

Aryan Nandakishor Patil

 

 

The ideas of my current art practices are based on the dwarves' sculptures of Indian temple architecture. Although these figures are carved playful (in their expression and cute appeal), I feel a kind of forced compression in them.

 

Examining the portrayal of dwarf figures as marginalized individuals in ancient Indian art and drawing parallels with contemporary issues of labor rights and social inequality, my work aims to connect the symbolism and craftsmanship of traditional temple carvings with the realities of modern-day architecture and the spite of laborers. The issue laborers in India is deeply intertwined with Historical, Economic, and Social dynamics.

 

These dwarfs are often portrayed as holding up structures, such as beams or platforms, symbolizing their role in supporting the divine or cosmic order. This symbolic burden can be seen as a reflection of their status in the social hierarchy― bearing the weight of society, much like the lower castes in the human social order.

 

The depiction of dwarfs can be interpreted as a symbol of the marginalized and subjugated classes in society. Just as these figures are depicted as supporting or carrying the weight of temple structures; Marginalized groups, particularly lower castes have historically been burdened with the most laborious and menial tasks in society.

 

I feel we must acknowledge the larger contribution of them as a workforce and accept their identity of importance achieving equality which involves a comprehensive approach that addresses economic, social and legal factors. Promoting equality is not only a matter of social justice but also contributes to a more productive and harmonious society

Artwork Specs

Size 5 X 5 X 13 inches
Medium Brass, Iron and Stone
Artwork Care Do not wash
Packaging Details Box packing, Bubble wrap